With its artful combination of quality, style and practicality - our beautiful Bedroom Suites are made to create a perfect comfort zone for You and Your family.  Great  choice  of  high quality  bedroom  furnishings  available -  to suit  your  taste!

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OLYMPIA - 4 piece Bedroom Suite.	EKATERINA - 4 piece Bedroom Suite.	KANTATA - 4 piece Bedroom Suite.
Available on order - as a full set only. (2 finishing options available)	Available Now from our showroom!	Available on order - as a full set only.

Read more about different styles and epochs in furniture designs:

CLASSICISM

Classicism of the end of XVIII century is a tribute of great century of furniture art to antique art forms. In France where new style is called “the style of the Lui XVI”, classicism was the last in a number of "Royal styles ".
The principle of a period separation based on "kings" carries rather conditional character.  A similar sort of the separation based on "kings" is even less justified for other countries.

  Having appeared all over again in architecture, forms of classicism gradually got into an “applied” art, including the furniture. Whimsically carved forms and a dynamic ornament of a rococo begun "to calm down" already in the middle of 18^th century. Lines are straightened; partitioning of surfaces become more and more simple and clear.           
In search of samples for new furniture forms, the masters of mature classicism looked up to the Ancient Greece and Rome. Clearness and a harmony of proportions, quiet balance of parts now start to dominate over forms of furniture. The preference is given to direct lines; the decor is reduced only to the most necessary. Here the architectonic beginning is not so expressed as for example, in the Renaissance furniture and is lacking that unity of details in uniform weight what was characteristic for products of a rococo. In classic furniture the constructive principle again is emphasized and this purpose is served also with fabric - which lines obediently repeating the outlines of surfaces of the furniture pieces.

  Distinction between an old and new principle of construction is easily found on comparison of a design of furniture legs. In difference from baroque furniture the design of legs carries plastic, instead of architectonic character. In classic furniture the leg is treated differently: function of basic designs as bearing elements is again emphasized; they are carried out and assimilate to small, round from top to bottom round or square columns in section with a capitella and cannelure.
  The Soft elements of chairs and armchairs are upholstered, as a rule, with fabrics bearing a flower ornament; backs oval or quadrangular. In furniture for sitting the role of a carved element was still great. The rich upholstery, gilding, strict forms are giving it solemn, cold look. In new furniture bronze is pushed aside and used on basic elements and frames, eaves are profiled to resemble the antique sample. Sometimes, especially in more expensive products, in the center of a panel a small detail, made from gold plated bronze of the quadrangular or oval form is located.

   In an ornament antique motives begin to prevail: meanders, strings of pearl, scallops, flower or laurel garlands, sockets and an acanthus leaf. Color varnishes (white and green) in a combination with simple gilding of separate details are also being used.
  One of the major items of interior was a secretary with the cubic case raised on high legs. Lockers sometimes were built on shelves (commode - étagère). 
Little tables-consoles, screens, hours, various supports were decorated with a thin groove, flower garlands and allegoric figures. Wooden parts of furniture for sitting and lying were processed by a groove of a low relief, gilding or a white varnish. Upholstery materials used - a Gobelin tapestry, silk fabrics with a flower ornament etc…
 The mahogany, going mainly on veneer of furniture pieces - was the most often used. Mahogany panels are inlaid with sets from various color, quite often exotic breeds of a tree (sateen, pink, etc.). Frames are often carried out by breeds of more dark shades (a thuja, black rosewood, ebony). An impression is made with the items painted by a white varnish and touched by gilding.
  Widely used were fauns, cupids that appear in a decor except for earlier mentioned forms, sphinxes, blockheads and mythological plots.

  An interesting furniture form has been developed for dining rooms: strictly symmetric sideboard grouped from three parts representing a combination of buffet and a dumbwaiter. Greater variety forms of furniture for sitting appear: both very easy chairs and armchairs with openwork, upholstered  backs of the oval, round or rectangular form; armchairs and a canapés with the forms that descent directly from antique samples.

  Most commonly used motives of finishing of openwork backs were: three lancet arches interlining with each other; palm leaves which form a shape of a fan; the vertical rod solved in the form of a plume.